• • Arrow • Apollo Twin MkII • Apollo x6 • Apollo x8 • Apollo x8p • Apollo x16 • Thunderbolt 3 Option Card • Apollo Twin USB • Apollo 16 • Apollo 8p • Apollo 8 • Thunderbolt 2 Option Card • Apollo FireWire • • • UAD-2 Satellite • UAD-2 Satellite USB • UAD-2 Satellite FireWire • UAD-2 Live Rack • UAD-2 PCIe Cards • • • LA-610 MkII • OX Amp Top Box • Teletronix® LA-2A • 2-610 Dual Channel Tube Preamplifier • 1176LN • 4-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics • 6176 • 710 Twin-Finity™ • SOLO/610 • •. For more than 30 years, the Studer A800 Multichannel Tape Recorder and Ampex ATR-102 Mastering Tape Recorder have endured as the world's most sought-after professional tape recording machines.
As two sides of a legendary mixing/mastering coin, the fabled 'Studer and Ampex' combination provides the ideal qualities of warmth, presence, cohesion, and low-end punch that only genuine tape can provide. The UAD Magnetic Tape Machine Plug-In bundle contains the world's most authentic — and the only licensed and approved — plug-in models of these classic machines, widely regarded as the very best on the market. Studer A800 Multichannel Tape Recorder Artists and engineers have long gravitated to the warm analog sound, solid low-end, and overall presence of the Studer A800 Multichannel Tape Recorder. This plug-in faithfully models the entire multitrack tape circuit path and electronics of a popular A800 machine from Allen Sides' collection at Ocean Way Studios — plus the distinct sounds of multiple tape formulas. Put simply, it's the most accurate representation of professional multitrack analog tape recording. Ampex ATR-102 Mastering Tape Recorder Since its inception, the legendary two-channel Ampex ATR-102 Mastering Tape Recorder has turned music recordings into records.
With its cohesive sound, punch, and ability to provide subtle-to-deep tape saturation, the ATR-102 is a fixture in major recording and mastering studios — and is considered by many engineers to be the best-sounding tape machine for final mixdown. The perfect complement to the workhorse Studer A800 Multichannel Tape Recorder, the ATR-102 Mastering Tape Recorder plug-in for UAD-2 can provide the final “analog polish” on your music, turning songs into albums. Key Features Ampex®-authenticated plug-in emulation of the ATR-102 Mastering Tape Recorder — the most popular professional 2-track machine ever made Provides rich, cohesive tape sound, without the hassles of calibration, maintenance, tape degradation, etc.
The result is the Virtual Tape Machines plugin. With models of both a 2 inch 16 track from NRG Recording, and a ½ inch 2 track machine from Howie Weinberg Mastering, the VTM will give your mixes an absolutely authentic analog vibe that will take your mixes to the next level. Best Free Saturation VST/AU Plugins If you are looking for a best free tube, analog tape saturation VST plugin emulation, check the list bellow and download some great free saturation plugins. Remember, this is not a top, is a list. Mar 14, 2018 - Sure, owning an actual tape machine would be nice, but as they. Ultimately, the choice of tape plugin comes down to your taste and your.
There's just something about it. I remember when I was first starting out in production, I could never seem to capture that 'sound' and/or that 'warble', so to speak, that were on so many of my favorite records. The music was just MOVING in a way I just couldn't describe. Then one day I demoed the ATR-102 and BAM - that was it! Yes, it is expensive, and yes, I have a ton of different tape emulation plugs.
Free Tape Machine
But there's something truly special about this one. TIP: If you set the speed to 7.5ips or slower, the wow/flutter is more affected. It will give you that indie tape sound you might be after.
Best Tape Emulation Plugin
I gotta say - I have hundreds of plugins and many of them I use every day, but this is one of my top 5 desert island plugs. I seriously can't live without it! Smooth tape emulation I've owned this for a while, and I'm finally comfortable enough to write a review on it. Subtlety seems to be the key word with this thing. I don't like what it does to the low end, but find it can really warm up mids and smooths things up when pushed just a bit. I don't like kick feeding into it so I keep off of the master bus (or have kick by pass it); and same deal with drums bus. Saturating it a bit on vocals can be nice, but again subtly.
This thing is a DSP hog, but I do love it for premasters. As a DUO owner, I tend to reach for other tape emulators first (e.g., J37) before using this for that reason. Hands Down The Best:) This badboy here is amazing, I usually put it on my kick drum and snare and my god is just tape music to my ears I can describe it is just big body and meaty definitely go to on all my ongoing projects. But to be honest I mainly used this bad boy on vocals.